The 1980's were notoriously ludicrous for many good reasons, committing a lot of serious crimes in music; the horrendous Sax solos pushing the limit of how far you can take a pentatonic scale and make the simple sound incredibly lazy, the snare sound (and electronic drums in general I suppose), and unnecessary modulation such as… Continue reading St Elmo’s Fire & the Deceptive Cadence
Concept & Tuplet Rhythm If you’re on Instagram or Youtube and are prone to scourging the depths of their respective catalogues for the most experimental and forward thinking musicians and compositions, then there is a chance you might have discovered WTF Grooves already. I discovered WTF Grooves through Instagram originally about a month or so… Continue reading Music in context; Tuplet based rhythm & cracking Dor Levin’s WTF Grooves
It’s often overlooked how important a really good snare sound is in a song. It is therefore no mystery why so many artists and producers have often laboured over finding that perfect snare sound. It can often be a making or breaking point in the production of a song. I’m not a drummer by any… Continue reading By way of the Drum; an Interview with Diamond Drum Co.
'Cause it's Saturday night and you just got paid. You want to Rip it up on a Bass guitar but your capitalist junkie boss is paying minimum and you've got about 25 hours a week. You're in college 4 days in the week and have largely survived off Porridge and sweet potato fries for the… Continue reading A Study in 4 ; The 4 best new & used Bass guitars for less than a Month’s rent
I feel like this is going to be a new series of specific posts where I just talk about music theory, different exercises and things that i've thought up that may shed light on something or somethings that musicians are either struggling with or else it's a completely new subject to them or opens a… Continue reading Music in Theory #1 Polyrhythmic Exercise (5/4 over 4/4)